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Artist Roger Armstrong drew the series until Al Hubbard took over in the 1950s. Mary Jane soon surpassed the mouse in popularity, and she got top billing in later issues. Throughout most of the series, she could shrink just by reciting "First I close my eyes real tight / Then I wish with all my might / Magic words of poof poof piffles / Make me just as small as Sniffles." By now Sniffles had lost most of his animated film personality and was just a companion to Mary Jane as she explored something found in a garden or entered a sort of magical toyland.
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These comics teamed Sniffles with a little girl named Mary Jane who could shrink herself to mouse size, originally by sprinkling magic sand borrowed from the Sandman. However, he would find new life in the Looney Tunes and Merrie Melodies Comics begun in 1940 by Dell Comics (writer Chase Craig used several minor Warner Bros. Sniffles quickly faded into obscurity in the animation arena. Mary Jane and Sniffles, Dell Comics, 1952. The mouse's final cartoon was Hush My Mouse (his only entry in the Looney Tunes series) in 1946. Jones was moving out of his Disney-esque stage in the late 1940s, and Sniffles was retired in 1946 as the director took to more hilarious and sadistic characters such as the Three Bears, fellow mice Hubie and Bertie, Marvin the Martian, and Wile E. For example, in The Unbearable Bear (1943), Sniffles foils a robbery attempt by perpetually pestering the perpetrator. This scene is a showcase for Jones' facility of realizing character through facial expression.īy the end of the series, Jones transformed Sniffles into an incessant chatterbox who serves more as a nuisance than a cute protagonist. In Bedtime for Sniffles (1940), for example, he struggles to stay awake into the wee hours on Christmas Eve in order to glimpse Santa Claus (which of course never happens). Others simply focus on the inescapable sweetness of the character. Some of Sniffles' films pair him with a bookworm character who accompanies the mouse into a sort of fantasyland where books and toys come to life, such as Toy Trouble (1941). For example, in Sniffles Takes a Trip (1940), a simple drive into the country turns into a nightmare as Sniffles is constantly frightened and awed by his surroundings. Jones went on to direct 12 cartoons featuring Sniffles, most of which showcase the naïveté of Sniffles by placing him in a dangerous world. Sniffles was played by voice actresses Gay Seabrook, Bernice Hansen, and Sara Berner. He then pals around with an electric shaver, which eventually saves him from a hungry cat. He eventually stumbles upon an alcoholic cold medicine, drinks it, and becomes intoxicated. In Naughty but Mice, Sniffles has a cold and is searching for a remedy.
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Jones debuted the character in the short Naughty but Mice (1939) which has similarities to The Country Cousin though Sniffles has nearly identical traits to the hero kitten in the short The Night Watchman (1938). His fur is brown with light markings on the face. The character wears a blue sailor cap, a red shirt, blue pants, a yellow scarf, white gloves and tan shoes. His ears grow from the sides of his head, placed so as to hearken more to a human infant than to Disney's top star, Mickey Mouse. He has large, baby-like eyes, a small bewhiskered nose, and a perpetual smile.
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Sniffles' head is almost as large as his body, which allows his infant-like face to dominate his look. Both Abner and Sniffles are, in a word, cute. Thorson's design was highly derivative of a character he had designed for Disney, Abner Countrymouse from the Oscar-winning short The Country Cousin (1936). The character was designed by Disney veteran Charles Thorson, an old hand at designing cute characters for Disney's Silly Symphonies. Director Chuck Jones created Sniffles as a potential new star for the studio in 1939.